During April of 1914 Earl
D. Biggers (1885-1933) was on a “grand tour” by ship when he saw for the first
time the Rock of Gibraltar. Biggers
wrote in an article published by the New
York Times on March 7, 1915 that it was looming “ahead of us and looked to
me for all the world like the old home town of Romance. What a setting for a play!” Biggers’s play Inside the Lines which opened at Broadway’s Longacre Theatre on
February 12, 1915 is set in Gibraltar.
As the ship Biggers was
sailing on left the harbor of Gibraltar, one of the Americans aboard told him a
story. (This person inspired the character in the play named Henry J. Sherman
of Kewanee, Illinois.) He informed
Biggers that while ashore he was told “from the tower on the Rock they can keep
tab on every ship that comes within sixty miles.” He also told Biggers that the
whole harbor and straits for miles around were mined. “Pull a switch up there in the tower and you
can blow every ship in sight to Kingdom Come.”
Biggers was taken with the idea and responded: “Wouldn’t be bad for a
play would it—that is, if there was a war.” His American companion responded:
“There won’t be any war. Folks are too
civilized for that nowadays.”
Unfortunately, this gentleman’s
conclusion about war was incorrect and Biggers wrote a spy play that won him
fans in America and Great Britain. Act One for Inside the Lines is set in the lobby of the Hotel Splendide located
on Gibraltar. It is Tuesday, the first
day that England is at war with Germany. Joseph Almer, a Swiss, is the
proprietor of the hotel that has a group of American travelers in the lobby,
who are frantically trying to find a way back to the United States.
American Tourist in Lobby of Hotel Splendide--Broadway production
Among the Americans is
Jane Gerson, a young New York department store buyer of French designer gowns,
plus Mr. and Mrs. Henry J. Sherman and their adult daughter Kitty. Captain Woodhouse, a British officer, has
also just arrived at the hotel. He is
scheduled to report for signal duty at the fortress. Jane Gerson believes she
had met him several weeks prior, but Woodhouse insists that did not occur. A
questionable character named Alfred Capper arrives. Into this chaos comes Lady Crandall, the
American wife of General George Crandall, who is England’s Governor of the “Rock.” She desires to aid the frantic Americans,
especially Jane who has in her possession French gowns designed by the most
famous fashion designers of that time--Charles Frederick Worth (1825-1895), Jeanne
Paquin (1869-1936), and Paul Poiret (1879-1944).
Through Lady Crandall’s
intervention Mr. Reynolds arrives. He is United States Consul at
Gibraltar and he arranges for the Americans to sail in two days. He solves all
their problems including cashing letters of credit and checks. Jane goes to
stay with Lady Crandall at the Governor General’s house.
Act Two is set in the
Library of the Governor General’s home. It is Thursday afternoon. This is when
the spy plot starts to develop. Alfred
Capper arrives to inform the Governor General that Woodhouse is a German spy. The
plot involves multiple German spies who are there to destroy a major portion of
the British fleet. This is a possibility
since the British Mediterranean Fleet is scheduled to arrive at Gibraltar.
CAPTAIN WOODHOUSE & JANE GERSON
Act Three is the same
setting as Act Two, but it is Thursday evening and the Americans are coming for
their farewell dinner. The spy intrigue is in full bloom as is the romance
between Jane and Woodhouse. The British Mediterranean Fleet arrives prior to a brief
pause in the action of this act, when the curtain is lowered for a few seconds
to indicate the passage of five hours.
It is late Thursday night. The Library continues to be the setting for
this scene that is filled with melodrama, intrigue, suspense and accusations.
Eventually the threat to the fleet is resolved and the spies are revealed. They
are all dealt with in an appropriate manner.
I have not provided a detailed description of the play and all the
characters since that would ruin the suspenseful quality of this melodrama. The
secrets of this popular type of American play were only revealed to an audience
at the end of the performance.
ACT III from the Broadway Production
ACT III from the Broadway Production
Inside
the Lines played on Broadway for 103 performances. The New York Times review on February 13,
1915 mentions that: “Mr. Biggers has brightened his play with some moments of
considerable humor, most of them inspired by the plight of the disconsolate
American tourists struggling to get home, trunks or no trunks.” Lewis S. Stone (1879-1953)
played Captain Woodhouse and Carroll Mc Comas (1886-1962) starred as Jane
Gerson. Stone played the same role in the 1918 silent film of the play.
Inside
the Lines continued to be popular in other cities of the United
States throughout the remainder of the war. Other productions were mounted by
numerous theatrical groups across the United States such as The Colonial Stock
Company in Cleveland, Ohio. This production played in 1916 for more than ten
weeks. A revised 1918 version of the play was performed in Boston by the Henry
Jewett Players at the Copley Theatre to positive reviews and large audiences.
Bernard Hishin
(1885-1944), a London theatrical producer, secured the rights to produce Inside the Lines in England. His production opened at London’s Apollo
Theatre in June of 1917. This was when the spy play genre was beginning to be
popular in England. The review in the May 26, 1917 edition of London’s Sporting Times sums up the play: “A
clever play, brightly acted and warmly received.” This production starred Eille Norwood
(1861-1948) as Woodhouse and Margaret Clayton (1891-1961) as Jane. She also played
the role of Jane in the 1918 film.
The 1930 film remake of Inside the Lines, as a talkie by RKO,
starred Betty Compson (1897-1974) as Jane and Ralph Forbes (1904-1951) as
Captain Woodhouse. From the plot description, it appears that screen writers
John Farrow (1904-1963) and Ewart Adamson (1882-1945) took many liberties with
the storyline.
Inside
the Lines was published as a novel in 1915 by The Bobbs-Merrill
Company. Earl Derr Biggers was assisted in this undertaking by Robert Wells
Ritchie (1879-1942), who co-authored the novel. He undoubtedly worked on
developing the backstory before the characters reached Gibraltar. There are also
meetings between characters that the novel incorporates to build more suspense between
the events in the play. This novel is currently available in paperback as a
reprint released by Wildside Press, 2003.
The Evening News, a Harrisburg, Pennsylvania newspaper reported on
January 30, 1925 that Inside the Lines would
be broadcasted on the radio that evening. This popular spy-thriller reached
audiences for decades after it first appeared on Broadway. It is still an entertaining
read.
PHOTO NOTES:
Broadway production photos from novel reprinted by Wildside Press, LLC
Drawing of stars in British production from THE ILLUSTRATED SPORTING AND DRAMATIC NEWS, June 23, 1917, page 467.
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