The French title of Paul
Raynal’s 1924 play refers to the Tomb of the Unknown Soldier which was created
in Paris in1920. It is the grave for a World War One Unknown French Soldier located
beneath L’Arc de Triomphe. The French monument created an interest in other
countries to dedicate a similar single national site to commemorate a nation’s
unknown military dead, whose identities are “known but to God.”
Raynal (1885-1971) served
as a soldier of France for four years during World War I in Champagne and in the French
Army of the Orient. This special French unit was created in October 1915 after
the allies lost the Dardanelles Campaign. His military experience fueled Raynal
with the desire to write a trilogy of plays about World War One. The Unknown
Warrior written in 1923-24 is the first of these plays. It was followed by La Francerie,
a three act play that was performed in 1933 at the Comedie-Francise in Paris.
The third play, written in 1935, is titled Le Materiel humain. It was staged
after World War II. This third play was not a theatrical success; however, it
was published in 1946.
The Unknown Warrior
is a tragedy in three acts. Act I consist
of five scenes. Acts II and III have one scene each. The cast is composed of three characters. The
French Soldier wears “the regulation uniform of an infantry regiment without
any badges or distinguishing marks, save a number on the collar.” His Father, who
is not described, and “Aude, a girl of twenty,” who is the Soldier’s fiancée. At
the opening of Act One, Aude and the Father are awaiting the arrival of The
Soldier for his first visit home. Aude has not seen him in fourteen months and
eight days. They plan to get married
during his four-hour visit. The date is October 8, 1915, and the time is 2 A.M.
“The setting is a house in the country, a day’s journey from Paris.”
Over the course of the
Soldier’s brief visit, the reader is exposed to how the war is overshadowing
his youth, his love, and his life. Each
one of the characters represents a point of view regarding war. This places the
Soldier in conflict with his patriotic father who does not realize the hard
realities of the current war. His relationship with Aude is not as solid as he
hoped. She held the romantic idea of being attached to a soldier departing to
the Front. Additionally, the Soldier offered her the opportunity to move to his
farm, away from Paris, where she would live more safely.
Upon the Soldier’s return
home, Aude realizes his absence has dissolved her love for him. She gives
herself to him even though the planned marriage ceremony never takes place. The
Soldier is determined to live in the present during every moment of his home
visit and he succeeds despite the difficulties the other two characters
present. The Soldier was granted this four-hour
home visit since he volunteered for a dangerous assignment which is believed by
his Commanding Officers to lead to certain death.
The focus of the play is
on the Soldier. It shows the issues that soldiers must face to survive on the
battlefield. The attitude of the soldier
is one of endurance. Throughout the play the Soldier raises the question “what
is war?” and there are multiple answers—War is drudgery. War is uncertainty.
War is the anguish of waiting. War is learning how to accept bad news. War is
the faith that something positive is to evolve from all the sacrifice. These
are several of the insights.
The Unknown Warrior was
premiered on January 30, 1924 at the Paris National Theatre, the
Comedie-Francaise. Not every critic was positive about this play following its
initial performances. Some critics believed it was critical and disrespectful
of the common French soldier, but these points were eventually dismissed. The play was revived in 1929 at the Theatre de
l’Odeon, Paris.
The Unknown Warrior was
first performed in England in 1924 at London’s Arts Theatre Club, but it was
not published in English until 1928. The
translation was done by Cecil Lewis (1898-1997) who was an ace English pilot
during WWI as well as one of the founders of the British Broadcasting Company
(BBC). These are but two among several other interesting activities that bear
his name. Lewis’s translation of The Unknown Warrior had ten editions in
its first year of publication.
After its Paris premier, Raynal’s
play quickly attained popularity throughout Europe. During the years between
the two World Wars, it was staged in Berlin, Stockholm, Vienna, Moscow, and
many other continental cities. The American
production opened on Broadway the evening of October 29,1928. The cast
consisted of Tyrone Power, Senior (1869-1931) as the Father, Beatrix Thomson (1900-1936)
played Aude and Lester Vail (1899-1959) A French Soldier. The production was staged by Charles Hopkins
(1884-1953) who also owned and operated the theatre. The production was
produced by arrangement with Arts Theatre.
It closed in November 1928. It received mixed newspaper reviews.
Maurice Browne
(1881-1955) a theatre producer born in England, brought his 1931 production of The
Unknown Warrior to open in New York City before touring Pacific coast cities. He had several motivations for doing this
including his deep belief in the play and his desire to play the leading role
of The Soldier. The tour started with four performances on Broadway at the
Morosco Theatre. It opened October
22,1931 and closed October 31st. Other cast members included
Rosalinde Fuller (1892-1982) as Aude and Daniel Reed (?) as the Father.
The next major production
occurred when BBC Television presented a live performance of this play on
November 11, 1951. Arthur Wontner (1875-1960) played The Father, Isabel Dean
(1918-1977) Aude and Peter Neil (1913-1994) The Soldier. This performance was
to commemorate the armistice that ended World War One.
There was a
production of The Unknown Warrior planned for November, 2021 at the
Finborough Theatre in London to mark the centenary of the burials of the
unknown warriors in France and England. Unfortunately this production was cancelled due to the Covid epidemic.
Along with Journey’s
End, The Unknown Warrior is considered by many critics and scholars
as one of the finest pieces of dramatic literature resulting from World War
One.
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